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| How do writers write an elaborate realistic fiction story that focuses on an important message? |
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| The Common Core State Standards require Fourth Grade students to write narratives in which they orient their reader by establishing a situation and introducing a narrator or characters with the event sequence unfolding naturally. Additionally, students are expected to use details including dialogue, descriptions of actions, thoughts, and feelings, use temporal words and phrases to signal event order, and provide a sense of closure. The goal of this unit is for students to write well-elaborated realistic fiction stories that focus upon an important message or heart of the story. Students will immerse themselves in age-appropriate realistic fiction stories to discern how these texts tend to go and to gather possible story ideas from their lives’ experiences. They will draw on everything they've learned from writing small moment stories from Kindergarten- Second Grade, as well as personal narrative writing in third grade. Additionally, students revisit qualities of good writing and craft to write realistic fiction. They will select their best work to revise, edit, and publish. Lessons are designed to teach writers how to navigate through the process: generating story ideas, rehearsing for writing, drafting, rereading, revising and publishing. Mid-unit, children will choose their best work and revise this more deeply and extensively to share with an audience. Students will begin a second realistic fiction piece as an independent writing project guided by previous sessions, anchor charts and conferences and small groups. Students will learn ways to raise the level of their writing within their independent writing project working at their own pace within the writing process. The unit culminates with students surveying their growth, recognizing their growing knowledge of good writing, their increasing repertoire of writing strategies and their success with cycling through the writing process to name their strengths but also determine future goals. |
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| MI: ELA & Literacy in History/Social Studies, Science, & Technical Subjects K-5 3. Write narratives to develop real or imagined experiences or events using effective technique, well-chosen details, and well-structured event sequences. W.4.3. Write narratives to develop real or imagined experiences or events using effective technique, descriptive details, and clear event sequences. W.4.3a. Orient the reader by establishing a situation and introducing a narrator and/or characters; organize an event sequence that unfolds naturally. W.4.3b. Use dialogue and description to develop experiences and events or show the responses of characters to situations. W.4.3c. Use a variety of transitional words and phrases to manage the sequence of events. W.4.3d. Use concrete words and phrases and sensory details to convey experiences and events precisely. W.4.3e. Provide a conclusion that follows from the narrated experiences or events. Production and Distribution of Writing
4. Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience. W.4.4. Produce clear and coherent writing in which the development and organization are appropriate to task, purpose, and audience. (Grade-specific expectations for writing types are defined in standards 1–3 above.) 5. Develop and strengthen writing as needed by planning, revising, editing, rewriting, or trying a new approach. W.4.5. With guidance and support from peers and adults, develop and strengthen writing as needed by planning, revising, and editing. 9. Draw evidence from literary or informational texts to support analysis, reflection, and research. W.4.9a. Apply grade 4 Reading standards to literature (e.g., “Describe in depth a character, setting, or event in a story or drama, drawing on specific details in the text [e.g., a character’s thoughts, words, or actions].”). Range of Writing
10. Write routinely over extended time frames (time for research, reflection, and revision) and shorter time frames (a single sitting or a day or two) for a range of tasks, purposes, and audiences. W.4.10. Write routinely over extended time frames (time for research, reflection, and revision) and shorter time frames (a single sitting or a day or two) for a range of discipline-specific tasks, purposes, and audiences. © Copyright 2010. National Governors Association Center for Best Practices and Council of Chief State School Officers. All rights reserved. | While the information contained here is not related to Unit Level Standards, important information related to UDL is included for your reference. What is Universal Design for Learning (UDL)? UDL is a research-based framework that focuses on proactive design and delivery of curriculum, instruction and assessment. UDL provides opportunities for every student to learn and show what they know, with high expectations for all learners. Each student learns in a unique manner so a one-size-fits-all approach is not effective. UDL principles create options for how instruction is presented, how students express their ideas, and how teachers can engage students in their learning. (NY DOE)
© CAST, 2013 |
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| - How do writers study mentor text to identify characteristics of effective fiction pieces and frame their writing?
- How do writers craft stories and characters for realistic fiction?
- How do writers draft and revise to build believable characters and stories?
- How do writers think about an audience as they prepare to publish?
- How do writers independently plan and publish realistic fiction?
| establishing routines and rituals implementing the writing process understanding author's craft using rehearsal strategies utilizing the qualities of good writing working with a partner |
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| General Assessment Background Information Please note that assessments were not created for the MAISA 3-5 writing units of study. Instead, Oakland Schools highly recommends using Writing pathways: Performance assessments and learning progressions, grade K-8 by Lucy Calkins as an assessment resource.Writing Pathways was designed to work with any curriculum aligned to the Common Core State Standards. This toolkit has comprehensive resources available, as well as possible mentor text. Each 3rd through 5th grade MAISA unit is generally aligned with Writing Pathways’learning progressions and teaching rubrics. Using Calkins’ assessment tools (versus developing your own), allows more time to be devoted to studying the assessment measures, analyzing data collected, and planning for future needs (e.g. student, class, grade level and district). | Drafting Editing Elaborating Generating Publishing Rehearsing Rereading Revising Self-assessing |
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| Concept I: Writers study mentor text to identify characteristics of effective fiction pieces and frame their writing. Please see Immersion Packet on Atlas for more information. Sessions 1-4 Writers read, study, and chart noticings about realistic fiction stories. Writers gather story ideas. Session 5 Writers co-construct a class flash draft. Concept II: Writers craft stories and characters for realistic fiction. Session 1 Writers get seed ideas for fiction from strong emotions in ordinary lives. Session 2 Writers generate story ideas by thinking of stories they wish were written. Session 3 Writers live with their characters to rehearse their drafts. Session 4 Writers develop characters by showing their motivations and struggles through each scene. Session 5 Writers ask “How am I doing,” in order to meet goals. Session 6 Writers plot storylines using Story Mountains. Session 7 Teacher choice based on students’ needs Concept III: Writers draft and revise to build believable characters and stories. Session 8 Writers use small moments to write their characters into scenes throughout their stories. Session 9 Writers tell their stories by using transition words and phrases. Session 10 Writers use prepositional phrases to tell when and where things happen in their stories. Session 11 Writers use revealing dialogue to craft characters and move story forward. Session 12 Writers step into the shoes of their characters to draft a story with heart. Session 13 Writers study mentors to rewrite leads connected to the importance of their stories. Session 14 Writers craft endings related to a story’s real message or heart and resolve the struggle. Session 15 Writers revise by cross-checking for structure and basic elements of a text type. Concept IV: Writers think about an audience as they prepare to publish. Session 16 Writers reread their stories to see their stories through different lenses. Session 17 Teacher choice based on students’ needs Session 18 Writers revise by making sure they have organized their stories into paragraphs. Session 19 Writers revise by studying mentor’s craft to develop their own techniques. Session 20 Writers edit their story by rereading their stories several times for different purposes. Session 21 Writers get ready to share their published stories. Session 22 Writers celebrate their published stories. Concept V Writers independently plan and publish realistic fiction. Session 23 Writers monitor their writing process using a process journey checklist. Session 24 Writers look carefully at their nouns and verbs and make sure they are precise. Session 25 Writers use punctuation when writing dialogue. Session 26 Teacher choice based on students’ needs Session 27 Writers survey their work to plan future goals. Session 28 Unit Wrap-up
| Professional Resources - Calkins, Lucy. (2015). Writing Pathways, Performance Assessments and Learning Progressions. Portsmouth, NH: Heinemann.
- Calkins, Lucy. (2013). Units of Study in Opinion, Information, and Narrative Writing Elementary Series: A Common Core Workshop Curriculum. Portsmouth, NH: Heinemann.
- Calkins, Lucy. (2011-2012). A Curricular Plan for the Writing Workshop, Grade 2. Portsmouth, NH: Heinemann.
- Calkins, Lucy and Pessah, Laurie. (2003). Nonfiction Writing: Procedures and Reports. Portsmouth, NH: Heinemann.
- Davis, Judy and Hill, Sharon. (2003). The No-Nonsence Guide to Teaching Writing. Portsmouth, NH: Heinemann.
- Fletcher, Ralph. (2000). How Writers Work. New York. NY: Harper Trophy.
- Fletcher, Ralph. (1999). Live Writing. New York. NY: Avon Camelot.
- Fletcher, Ralph. (1993) What a Writer Needs. Portsmouth, NH: Heinemann.
- Lane, Barry. (1993) After the End: Teaching and Learning Creative Revision. Portsmouth, NH: Heinemann.
Student exemplars are in the process of being collected. They will be uploaded at a later date. |
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